May 2-4, 2024:泭Media Aesthetics: Experience, Practice, and Pedagogy泭The media aesthetics project examines and engages the saturation of ordinary life by varieties of constant mediation, while also examining the diverse array of mediated experiences and modernities worldwide. Here we have in mind new forms of digital technology from smartphones, ubiquitous wireless networks, social media, and streaming platforms. Art forms such as literature, cinema, music, and visual art remain important here. But now, with the durationally encompassing nature of contemporary mediation, we look to aesthetic experience broadly for its power to navigate the everyday.
April 9, 2024: An evening with former 91勛圖厙colleague Adrienne Russell,泭presenting泭her泭new book泭The Mediated Climate: How Journalists, Big Tech and Activists are Vying for our Future泭(Columbia University Press 2023).泭In her book, Adrienne argues that our泭inadequate response to climate change is intertwined with the profound challenges facing our communication environment.泭She will discuss her research on journalists, activists, scientists, and other advocates for climate action, how their efforts are often compromised in todays media landscape, and what we can do about it. Adrienne Russell泭is Mary Laird Wood Professor of Communication and co-director of the泭Center for Journalism, Media, and Democracy泭at the University of Washington, Seattle. She is currently a fellow at the Weizenbaum Institute in Berlin.泭
February 1, 2024: Rethinking Mediations of Post-truth Politics and Trust: Globality, Culture, Affect.泭Comments by contributors: Professor Jayson Harsin (AUP), Professor Bilge Yesil (CUNY Graduate School) and Professor Hannah Westley (AUP) with response by Francois Allard-Huver (Universit矇 de Lorraine).
October 19-20, 2023:泭Discourse on the Plague (1347-1600): Authorities, Experience, and Experiments, Conference at The American University of Paris.泭Co-organized by Brenton Hobart (The American University of Paris) and V矇ronique Montagne (Universit矇 C繫te dAzur).泭Medical treatises, historical writings and literary narratives about the plague use a common linguistic register which repeated itself from Antiquity through Renaissance Europe and which persists in todays popular and scholarly imagination of how we envision epidemic disease泭 Covid language and plague language are to a large degree one and the same. The泭truth泭concerning disease is thereby molded, if not skewed, by a preconceived discourse, which the writers of such泭truth泭are (or feel) forced to revisit: to prove knowledge of and move beyond past disease; to establish themselves as authoritative; likely, to learn how to transform ineffable horror into the art form that the printed word is.